Description: You rediscover life between two eras of the same family, and the same face.
Before and after the war on Gaza, it represented a radical shift from mass siege to mass killing.
We see bodies stained by cement, and iron that penetrates the bodies after the houses above their owners are demolished… and in a time when silence and live death have spread on television channels.
Description: You rediscover life between two eras of the same family, and the same face.
Before and after the war on Gaza, it represented a radical shift from mass siege to mass killing.
We see bodies stained by cement, and iron that penetrates the bodies after the houses above their owners are demolished… and in a time when silence and live death have spread on television channels.
Description: The apartheid wall closed the open space of the place, separated families and families, and divided our areas between them.
The Palestinian was able to overcome all these limits through imagination, contemplation, and regaining the stolen self.
We can imagine what is behind the wall because we know who is behind it.
The old and original drawing technique was used, torn, and then reused on the canvas, as a case of liberating the meaning of the work that was produced in a different time context, dominated by emotions and feelings, and reproducing it again, liberated from itself with its deconstructive and critical dimension.
Medium: Ink on paper/engraving and printing (2/4).
Size: 43cmx50cm.
Description: Engraving and printing technique to print the Handal Place with ink on paper.
The Handal Place is one of the most beautiful buildings in Bethlehem area where the artist designed a new structure by cutting and redesigning this building with her imagination to print this piece of art.
Description: The apartheid wall closed the open space of the place, separated families and families, and divided our areas between them.
The Palestinian was able to overcome all these limits through imagination, contemplation, and regaining the stolen self.
We can imagine what is behind the wall because we know who is behind it.
The old and original drawing technique was used, torn, and then reused on the canvas, as a case of liberating the meaning of the work that was produced in a different time context, dominated by emotions and feelings, and reproducing it again, liberated from itself with its deconstructive and critical dimension.
Description: This mosaic captures the timeless beauty of Khirbet al-Lawz, a Palestinian village nestled near Jerusalem. Renowned for its almond trees, the village is a testament to traditional architecture, featuring white stone houses with arched wooden doors.
Through meticulous craftsmanship, this mosaic recreates a quintessential scene: a rustic door, framed by vibrant pink almond blossoms, inviting us into the heart of the village. Each stone, carefully selected and placed, tells a story of the displaced village, and its people enduring connection to the land.
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