“A Peaceful Day” Post Card
$1Art from Palestine “A Peaceful Day” by the Palestinian artist Layla Hamdieh
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Art from Palestine “A Peaceful Day” by the Palestinian artist Layla Hamdieh
Art from Palestine “A Rest Under the Apple Tree” painting by the Palestinian artist Layla Hamdieh. This card is a copy of the artist’s artwork.
“A Swede in Jerusalem” Book, is a Swedish book published by Diyar Publisher, in 2012 by Sune Fahlgren.
Explore the experiences, and challenges, faced by “Arab Christians in Israel” in this important book, edited by Johnny Mansour and published by Diyar Publisher in the Holy Land of Bethlehem (2012).
Artist name: Munther Jawabreh.
Title: “Before…after” .
Medium: Cement and mixed media on canvas.
Size: 15cmx15cm.
Description: You rediscover life between two eras of the same family, and the same face.
Before and after the war on Gaza, it represented a radical shift from mass siege to mass killing.
We see bodies stained by cement, and iron that penetrates the bodies after the houses above their owners are demolished… and in a time when silence and live death have spread on television channels.
Artist name: Munther Jawabreh.
Title: “Before…after 2” .
Medium: Cement and mixed media on canvas.
Size: 15cmx15cm.
Description: You rediscover life between two eras of the same family, and the same face.
Before and after the war on Gaza, it represented a radical shift from mass siege to mass killing.
We see bodies stained by cement, and iron that penetrates the bodies after the houses above their owners are demolished… and in a time when silence and live death have spread on television channels.
Title: “Behind the Wall”.
Medium: Waving and mixed media on canvas.
Size: 29cmx29cm.
Description: The apartheid wall closed the open space of the place, separated families and families, and divided our areas between them.
The Palestinian was able to overcome all these limits through imagination, contemplation, and regaining the stolen self.
We can imagine what is behind the wall because we know who is behind it.
The old and original drawing technique was used, torn, and then reused on the canvas, as a case of liberating the meaning of the work that was produced in a different time context, dominated by emotions and feelings, and reproducing it again, liberated from itself with its deconstructive and critical dimension.
Explore the rich history, and heritage, of Bethlehem with this book, by Garo Nalbandian, Rev. Dr. Mitri Raheb, and Fred Strickert.
Published by Diyar in Bethlehem in 2013.
Bethlehem Besieged Book published by Diyar Publisher in 2004, by Rev. Dr. Mitri Raheb.
It is the stories of hope, in times of troubles.
“Christ at the Check Point” book, published by Diyar Publisher in 2018, by Rev. Dr. Munther Isaac.
This book contains the most important papers from the second, third, and fourth Christ at the Checkpoint conferences that took place in Bethlehem.
The themes of these conferences were: “Hope in the Midst of Conflict” (2012),
“Your Kingdom Come” (2014),
and “The Gospel in the Face of Religious Extremism” (2016).
“Christmas Lutheran Church” in Bethlehem, Palestine.by the photographer Johny Michael
Art from Palestine: “Christmas Tree” by the Palestinian artist Taleb Dweik
“Consider how the lilies of the field grow” (Matthew 6:28) Post Card. Water colors by the Swedish artist Inger Johansson and the Palestinian Calligrapher Jabra Mitwasi
Art from Palestine “Dove at Sunset” by the Palestinian artist Layla Hamdieh
“Faith in The Face of Empire” book, published by Diyar publisher, in 2014, by Rev. Dr. Mitri Raheb.
See the Bible through Palestinian eyes.
Mitri Raheb, a Palestinian Christian, explores how empires, from Rome to modern day Israel, have shaped the biblical story, and the ongoing conflict in the Middle East.
He examines Jesus’s life, and teachings within their historical context, highlighting their relevance to Palestinians today, and offering a powerful message, of faith and hope, in the face of oppression.
“God’s Reign and People’s Rules” Book, published by Diyar Publisher, in 2009, by Rev. Dr. Mitri Raheb.
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